The Future Of Sound Is Not Recorded. It is Computed.

Introducing a new sound synthesis technique that can generate sounds from objects in a scene without sound, showcasing its realism and human ingenuity.

Discussing a simulation that looks and sounds incredibly real, created without the use of AI, showcasing the power of human creativity.

Explaining how the technique breaks down objects into little lego pieces, representing objects as voxel molds with sliders indicating solidity or air to seamlessly transition between states.

Exploring how sound environments can differ based on location and the solver's role in automating sound placement based on physics, eliminating the need for manual placement of sound effects.

Highlighting surprising aspects of the technique, such as its use of pre-recorded sounds for various interactions, GPU efficiency, impressive speed compared to CPUs, and ability to handle complex geometry changes.

Approaching the era of interactive sound simulations, overcoming artifacts like popping sounds, handling geometry changes, simulating numerous impact sounds, and maintaining stability and coherence.

Transforming sound design by offering dynamic sound shaping capabilities, ensuring smooth transitions and real-time sound computation based on physics, paving the way for the future of computed soundscapes.