Summary
Traditionally, honorific busts aim to idealize and honor individuals in a positive way, making them appear more noble or handsome. A controversial bust of George Moscone, former mayor of San Francisco, alongside supervisor Harvey Milk, led to objections and the artwork being draped and removed. Artist Robert Arneson, passionate about his creation, reimbursed the city for the commission, took possession of the bust, and negotiations ensued for its return.
Introduction to Honorific Busts
Traditionally, honorific busts are memorials that idealize and honor someone, making them more noble or handsome. These busts aim to remember individuals in a positive and idealized manner.
Depiction of George Moscone
The bust depicted George Moscone, who was the mayor of San Francisco and had a significant impact on the city's history. The artwork included events from Moscone's life as mayor and as president of the Board of Supervisors.
Controversy and Removal
The bust of George Moscone and supervisor Harvey Milk sparked controversy and objections from some individuals. Eventually, the bust had to be immediately draped and taken away due to the sensitivity of the subject.
Reaction and Resolution
Robert Arneson, the artist behind the controversial bust, felt strongly about the portrait and decided to reimburse the city for the commission. He then took possession of the work, which was considered orphaned. Negotiations took place for the return of the bust.
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