García Lorca y La Barraca | Javier Huerta Calvo y Nacho Sánchez

The chapter discusses the origins of La Barraca, the university theater corresponding to the University of Madrid, and its establishment in 1930. It highlights early events such as Pedro Salinas giving a lecture to students and the creation of a theater group despite lacking formal training in dramatic arts.

Details the collaboration and inauguration of the university theater, featuring prominent figures like Fernando de los Ríos, Manuel Azaña, and Claudio Sánchez-Albornoz. It also mentions the inauguration of the Faculty of Philosophy and Letters in 1933.

Explores the selection of plays and the emphasis on classical Spanish theater by Federico García Lorca. It includes the staging of works such as 'La vida es sueño' and the engagement with diverse theatrical genres.

Discusses the innovative artistic direction of Federico García Lorca, his collaboration with emerging artists like Santiago Ontañón and the introduction of modernist concepts in theater. It also mentions the challenges faced in staging complex plays.

Covers the political challenges faced by La Barraca, the discontinuation of government funding, and the departure of Federico García Lorca. It also reflects on the aftermath of García Lorca's death and the legacy of the theater group.

Discusses the significance of Gramophone records in France and Mexico, as well as the main actor in the Barraca theater group.

Reflection on Ignacio Sánchez Mejías and his impact on Spanish theater.

The theater as a space of freedom that allowed women to express themselves and pursue their passion for acting.

Overview of Modesto Higueras' career in theater and cinema, influenced by Federico García Lorca.

Discussion on the renewal of Spanish theater post-Federico García Lorca's era and the challenges faced by professionals and university theater groups.

Recollection of the legacy of La Barraca theater group and the spirit of unity and concord that it embodied.